1. First, tell us a little bit about yourselves.
Umm, you've got me, Lydia, I sing. Then there's Danda, he plays guitar and does some singing too. Ruairi plays bass, and Donagh plays drums. Collectively, we're Sweet Jane. I couldn't even begin to describe our sound to you, but some journalist or blogger called us ''Dream Pop Rock & Roll,' that's been the best.
2. How did you guys get together?
I met Danda at a house party at about 5 or 6am, he was in my ear telling me about all these songs that he had, and that he could never find the right vocal to suit them, that he needed a female vocal I guess. I was a bit skeptical because I mean, I've just met him and its 5am, so I knew he hadn't heard me sing, but I just trusted his passion I guess, and he says that ''he just knew''. It started from there, we started recording on a little 10-track in my apartment, Ruairi got interested in playing with us, and then we have a revolving door of less than perfect drummers until we found Donagh, who's been like a god-send.
3. Your musical style has been described as a cross between the Raveonettes and the Jesus and Mary Chain. Would you say that's accurate? Who were some of your musical influences, and are they included?
I mean it's hard for me to get a well-rounded answer when I can only speak on behalf of the boys, but, umm, I think what happened is we wrote the Blackboots & Blackhearts EP and released when we started, then our label released a single from that EP like 3 years later. It has this drum beat which pretty much is the ''be my baby'' / Spector drum beat, it's iconic, it's been used one-zillion times before, and made the JAMC [Jesus and Mary Chain] institutional. So because it was on this one record, the people who heard that one song started thinking we were just a JAMC rip-off, or y'know the Raveonettes. Those two bands come up so much; I can deal with the JAMC but The Raveonettes, I just cant take. Why? Because we have split male-female vocal and some loud guitars? They're great but I find them weak in the sense that it's all very polite, I'd like to think were a lot more obnoxious, especially live anyway. I don't really get inspired from other bands that much. I listen to like 10 bands, get obsessed with them, get bored of them, and then move on.
4. Who writes the songs, and what's the evolution of a song going from lyrics to live performance?
Danda was the be-all and end-all at the begining I think. With me, it was a very new process. I'd had some shitty past musical experiences and I needed to be guided and get some lessons, so I had pretty much the best teacher. I mean, I've never been shy of denying him is Genius stamp; he knows what works in making a great pop song. But for the new record I had a lot more control over lyrics, vocal melodies, and chipped in a bit on guitars which was pretty much like drawing your own blood and jumping into shark territory.
5. Describe your first live gig.
It was pretty much the most horrendous 30 minutes of my life. I thought I knew so much, and I knew nothing. We played in one of the worst venues in Dublin for sound, and supported one of the worst bands, and it was a bit to much like a kid who was in her first nativity play and her Mom and Dad came with ALL their family and friends. It was just uncomfortable. I don't know, I can't really explain it. Let's just say I'm really happy with where we are today. Your first time always sucks, y'know. They dont say that for no reason.
6. How much touring have you been doing since becoming a band?
A lot. It's only in the last year that touring has really become a pleasure. We're a much better band, obviously, because we've grown and learned what not do to, but it definitely still takes its toll on you personally and the band as a group. Stuff like getting to sleep in a travelodge [really cheap motel] and not on the bus can literally make you burst with happiness on the road. Little things are totally magnified. And I think with any band you get to see cities that you might not necessarily get to see if you were doing a regular 9-5.
7. As a band, you have been using MySpace, Twitter, and other online / social networking tools to reach your audience and get the word out about your music. How much do you attribute to these online tools to your current rate of success?
It's funny you should ask that. Our band is only a couple years old, so we don't know what it was like to be in a band without the Internet as a sort of aid. I mean, the first step when we had recordings was set up a MySpace to send to our friends. It's a bit bizarre to think back to when we were literally sending music to friends and thinking that's as far as it went. MySpace and Twitter don't make you a good band though, and they don't make you get a record deal. All they can do is make people aware of your band, and then if the music is good enough, then those people will naturally want more.
8. Have you been recording any material recently?
Yeah, we just finished recording our debut LP. The only free time we had was the wind-down to Christmas so we were in the studio for the couple weeks leading up to the holidays, and we ran over so we were literally at the studio recording on Christmas Eve which was pretty epic in terms of inspiration. It's my favorite time of the year, pretty much the only time of the year I get to go home,and we recorded it in a studio that about 30 minutes from my parents house. So we all got to stay with my parents, and I got to wake up with my cat. Any time we play there, I only get to see my family after soundcheck and before we play, which is usually like an hour!
9. What has been the craziest thing to happen to you so far as a band?
There has been a lot, thankfully I'm blessed with being able to, let just say, enjoy myself on tour, and always remember, the boys arent so lucky. They can never remember anything after, like, the 7th beer. We've met some pretty amazing people, y'know people in bands that you totally adored as a kid. Meeting them and realising that they're on another planet, to meeting new bands and totally being on the same level as them. The last Death Disco tour we done a show with Craig Walker [Power Of Dreams / Archive], and Bonehead from The Vortex / Oasis DJ'd with BP Fallon. And we are all huge Oasis fans, so we're in the attic of the venue and there is like hundreds of kids downstairs dancing and we're all sitting on the floor drinking wine out of the bottle, and BP comes in and is like, "Lydia I need you in the next room." So I go in and he's like, "Can you sing vocals for Bonehead on 'Wonderwall?'" And him and his brother are just staring at me and I kinda wanted to die on the spot. Thankfully, he's one of the nicest people I have ever met, so I done it and then at the end of the night, Craig and me sang while Bonehead played "Wonderwall," the first time publicly since he split from Oasis, and Danda played drums. Then we all went back up into the attic after the club closed and sat around listening to all these stories about Oasis back in the 90's. That's one memory I won't be forgetting anytime soon.
10. What are your future plans?
We have the record coming out in April / May over here, and then I think later in the year it gets released in the UK, and then it goes to Europe, and then the States. And I can only imagine there being alot of shows inbetween that, which is amazing, so no complaining about that. It's weird now that we've signed a deal, everything gets planned for you. There's a lot more press, a lot more interest, but its a good time, a really good time.
Sweet Jane was gracious enough to make their EP, Blackboots and Blackhearts, available as a free download. You can also follow them on Twitter.